Expanded essay by Peter Keough (PDF, 649KB) After a series of films often categorized as "women's pictures" ("Never Fear," "Outrage"), Lupino took a hard turn with this gritty, hard-boiled tale. Critic Leonard Maltin called "To Sleep with Anger" an "evocative domestic drama about the effect storyteller/trickster (Danny) Glover has on the various members of a black family. Its story of an irreverent U.S. medical unit during the Korean war attempting to thwart authority figures at every turn spawned a folksier television sitcom two years later. Cinema's first pairing of sensational singing duo Jeanette MacDonald and Nelson Eddy, who captivated audiences with songs such as "Ah! Highlights include the only footage shot inside the Cotton Club, the only footage of famous Broadway shows like "Babes in Arms," home movies of an all African-American regiment during World War II, films of street life in Harlem in the 1930s, and the family's cross-country tour in 1934. Director Sidney Lumet balances suspense, violence and humor in Frank Pierson's Oscar-winning adaptation of a true-life bank robbery turned media circus. Download PDF. But the director's groundbreaking camera technique and narrative style advanced the art of filmmaking by leaps and bounds. Radcliffe conferred Radcliffe College diplomas … Director Robert Siodmak and screenwriter Anthony Veiller, both nominated for an Oscar, took the original Ernest Hemingway short story as the film's opening point and developed it with an elaborate series of flashbacks, creating a classic example of film noir. In 1928 they made this eight-minute Vitaphone short for Warner Bros. These scratches became "figures of motion" that appear in the finished film as horizontal and vertical lines and shapes dancing to the music of the Bagirmi tribe in Africa. Produced in 20 episodes, in a groundbreaking long-form motion-picture narrative structure, the series starred Pearl White as a young and wealthy heiress whose ingenuity, self-reliance and pluck enable her to regularly outwit a guardian intent on stealing her fortune. The film's cast, which reflects a broad spectrum of acting styles, includes Alec Guinness as the British commanding officer and Sessue Hayakawa as his Japanese counterpart, and William Holden as an American soldier who escapes from the camp and Jack Hawkins as the British major who convinces him to return and help blow up the bridge. Considered a masterpiece of experimental filmmaking, Stan Brakhage's "Dog Star Man" is a silent cosmological epic consisting of four short films and a prelude. The film's gritty realism, captured by cinematographer Owen Roizman, and downbeat ending were a clear departure from the glossy heroics of most previous detective stories. While Mead and Bateson's field work is still considered groundbreaking for illustrating how film could be used as a research tool, it has been criticized, particularly for not accounting sufficiently for the role of religion in Balinese culture. Expanded essay by Catherine Russell (PDF, 298KB). By severely (and illegally) overfinancing a show that's sure to flop, the partners avoid repaying the backers -- little old ladies Mostel's conned into backing the show. Directed by Hal Ashby and written by Colin Higgins (as his UCLA masters thesis), the film became popular on college campuses in its day and continues to attract a cult following, embracing the warm humor and big heart that lies beneath the darkness. Though based on the book by Anthony Burgess, it certainly took an eye and a mind like director Stanley Kubrick's to bring this film to life. Quint (Robert Shaw), and an oceanographer (Richard Dreyfus) to pursue the Great White. Convincingly foppish by day, Don Diego conceals his heroic alter-ego to avenge his father and the terrorized citizenry, carving his signature "Z" with his trusty sword as he goes. https://www.oscars.org/film-archive/collections/aloha-wanderwell-film-collection, Expanded essay by Ed Carter and Dale Bell, Brief Descriptions and Expanded Essays of National Film Registry Titles, Packard Campus of the Audio-Visual Conservation Center, Motion Picture, Broadcasting and Recorded Sound. Bienvenue sur la page Boursorama, portail d'informations économiques et financières. Leonard Maltin lauded "Field of Dreams" as "a story of redemption and faith, in the tradition of the best Hollywood fantasies with moments of pure magic. Although arguably an exploitation film, the film's riveting sociology is gripping in its portrayals of methods used to entrap working women and immigrants. Surprisingly, Robert Preston was not even nominated for reprising his Tony-winning Broadway performance. Expanded essay by Howard Kazanjian and Chris Enss (PDF, 389KB). Whether intentionally or coincidentally, this amateur auteur seems to juxtapose the name's lofty origin—'august,' meaning great or venerable—with the unspectacular nature of everyday life in small-town America. The film is filled with lilting tunes, tongue twisters about "the vessel with the pestle and the brew that is true" and catch phrases like "Get it? Bill Murray plays a smug, arrogant weatherman caught in a personal time-warp, who is continuously forced to relive the Punxsutawney, Penn., annual Groundhog Day event. Collins' films show both a subtle understanding of human nature and often breathtakingly daring cinematography and editing. Throughout the film, Dracula and the Monster cavort in plain view of the quivering Costello who is unable to convince the ever-poised and dubious Abbott that the monsters exist. ", Arguably the definitive Depression-era musical, rife with visually stunning Busby Berkeley productions, ranging from the escapist "We're in the Money," kaleidoscopic, neon-violin-playing chorines of "The Shadow Waltz" to the powerful social statement of "My Forgotten Man," a stirring paean to World War I veterans unemployed by the Depression. With performance clips by the jazz composer, bandleader and pianist Sun Ra and his Arkestra, the film may be seen as a political interpretation of African American cultural expression which, unlike an earlier trend to present African American artistic production as equal to that of white artists, emphasizes that jazz is uniquely African American and should be judged on its own terms. A smash hit, it has been honored for its technological innovations (the digital insertion of Gump seamlessly into vintage archival footage), its resonance within the culture that has elevated Gump (and what he represents in terms of American innocence) to the status of folk hero, and its attempt to engage both playfully and seriously with contentious aspects of the era's traumatic history. This adaptation of Meredith Willson's Broadway hit is Americana at its finest. After making the film, Keaton made a disastrous move to MGM, which, combined with personal difficulties, ended his productive career. Many of these ad-libbed scenes appear in the final movie -- its cinematic style approximating rock documentaries like "The Last Waltz" and "Gimme Shelter." Andersen re-animates the images Muybridge originally presented on a zoopraxoscope, a predecessor of the projector. Though often lacking logical cohesion, the film's dialog and the timeliness of world events swirling around Casablanca made the eventual Best Picture winner a favorite with wartime audiences. Paramount studio's news division scooped other newsreel services with its footage of demonstrators marching toward a Chicago steel plant in confrontation with city police officers hired to keep the strikers away from plant. Adapted by Ernest Tidyman from his novel, the movie comes to vibrant life whenever director Gordon Parks hits the streets of New York. Seen as Hollywood's tough guy, his style was most evident in his breakneck storytelling and central characters who defy easy categorization. Despite its melodramatic underpinnings, the film endures because of Davis' flawless performance and for its examination of both the American South and women's societal roles. With its innovative new techniques, it is considered to have ushered in a new age of experimental film. Dean received a posthumous Oscar nomination for his performance. The surviving footage of the towns and its people often became the sole record of these cultural enclaves. One of many stand-out scenes occurs during a circus performance where Chaney spots those who betrayed him and tries to call them out, but his fellow clowns are doing their normal crowd-pleasing routine of slapping him in the face. Stewart, a police detective debilitated by the dizzying effects of his acrophobia, is shown as a man free-falling into love, in a thrillingly and surprisingly compelling performance. Adapted from a novel by C.S. Critic David Sterritt lauds "Seconds" as "the third and crowning chapter of what's now known as Frankenheimer's paranoia trilogy" following "The Manchurian Candidate" and "Seven Days in May.". A rich score by Max Steiner and top performances from Vivien Leigh, Olivia de Havilland, Hattie McDaniel and Clark Gable add to the film's indelibility. Film and TV actress Barbara Loden wrote and directed this affecting and insightful character study about an uneducated, passive woman from the coal-mining region of Pennsylvania, where the cinema verite-like film was shot. Outstanding performances — particularly by Judy Garland — fanciful sets and an unforgettable score by Harold Arlen and Yip Harburg combine to create cinema perfection With no intention of imperiling its advertising message and humming assembly-line template for reborn humans, the company has a "third chance" plan in mind for Randolph: he learns "you can't go home again," in the wry words of a New York Times reviewer quoting Thomas Wolfe. Their legendary career spanned from 1921 to 1951 and included more than 100 films. The Smithsonian also has nine reels of film, comprising approximately two hours of footage. Filmed at the Astoria Studios in Queens, New York, the film was not a particular hit, but it did mark Burns and Allen's first foray into motion pictures, a medium which allowed them to hone their craft before the camera and prepare for their highly successful television career . Portrait of Buster Keaton in "The General". (PDF, 1764KB). As the opening credits roll, Brooks' original inspiration for the film – the pulsating strains of "Rock Around the Clock" – blasts across theater speakers, bringing the devil's music to Main Street and epitomizing American culture worldwide. Expanded essay by Lauren Rabinovitz (PDF, 617KB), Winner of numerous international awards, this beautiful documentary explores the rare dance language and culture of the Yup'ik Eskimo people in Emmonak, Alaska (part of the Yukon River delta on the Bering Sea). 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