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She also knows how to talk about lighting design. “With those shows,” she explains, “we gave ourselves clear rules for what light was doing within that space.” Once the rules are set, and light makes sense, “it’s no different to a window in a room – it’s just that the possibilities are endless.”, Grandage thinks that seam of work has changed Constable’s approach in recent years, opened her up to a fresh registers. She recalls: “I was asked to work on this show and the guys there needed someone to climb up on the rig. Paule Constable: lt;p|>|Paule Constable| is a British |lighting designer| who won the 2005, 2006, 2009, and 2013 |... World Heritage Encyclopedia, the aggregation of the largest online encyclopedias available, and the most definitive collection ever assembled. Chekhov’s good for lighting designers: Uncle Vanya, she says, is “a descent into darkness, ending with Sonya lighting candles as Vanya tips into despair; his scenes often take place at dawn or at dusk, “particularly charged times of day” when time becomes tangible as the light shifts. There was a real sense of community where people genuinely knew one another, which is sadly no longer there”. I acknowledge that I may receive emails from Live Design Online and on behalf of their trusted partners. Everything about her is practical: her dark brown hair is pulled back, she carries a lightweight rucksack and arrives dressed entirely in black, though whether ready for tech or fresh from running I’m not sure. July 10th, 2019 - 15:02. Until the last minute, lighting designs exist “in your head,” she says; “99% of what we do happens in the theatre itself,” during the final fortnight of rehearsals. Paule Constable is a UK Lighting Designer who works on various theatrical production worldwide. It motors a play, she says. Constable laughs when I recount Mitchell’s description: “I’m really bad at making it up. (Four – plus a Tony.). Overview News Overview. Paule Constable is a British lighting designer.She won the 2005, 2006, 2009, and 2013 Laurence Olivier Award for Best Lighting Design. In Wozzeck, the British lighting designer describes the style of her work as “stark, bold, and simple. Constable thinks back to lighting Ivanov for Mitchell at the NT. She comments: “My A Levels were a real eclectic mix. (She also did Grandage’s West End production with Kenneth Branagh.) Research is key. your own Pins on Pinterest She adds: “Although theatre still didn’t really interest me, I did start to get involved at school. Grandage tells me that when he first hired her, “she was very puritan in her tastes – her style was simple, not fussy, no frills.” She’d pare back her palette to the very minimum, often lighting scenes as naturalistically as possible. I wasn’t really used to anything else so it didn’t seem that unusual”. This upset me as I thought I was doing a pretty decent job. By Design: Paule Constable Lights Angels In America. Paule Constable Lighting Designer. She’s slender and, you sense, out-doorsy. I remember going down to Wapping and standing on the picket lines. I actually just liked getting my hands on kit!”. Paule Constable, Camera Department: Carmen in 3D. So when I pressed as to why he didn’t ask me anymore, he literally turned around and said ‘Just f*ck off and do your own work!’. Feb 22, 2015 - This Pin was discovered by Ryan Lawrence. Discover (and save!) Either consciously or unconsciously, she’s really like a painter.” And yet, by lighting from within a scene – avoiding blasting the stage from the front – she creates a real sense of depth and reality. When we came home in the holidays, we immediately formed a tight community”. [1] She was also a nominee for four further productions and for a 2007 Tony Award on Broadway.In 2011 she won the Tony Award for Best Lighting Design of a play for War Horse. Last night, the winners of this year’s Olivier Awards were announced in a special programme presented by Jason Manford at the London Palladium which was broadcast on ITV as well as streamed live on Official London Theatre’s Youtube channel. She’s “a manic runner,” apparently; thinking through and imagining her designs on the move. At the time, she was a follow spotter at Hackney Empire where she was working on Black Heroes in The Hall of Fame. Popular AMA APA (6th edition) APA (7th edition) Chicago (17th edition, author-date) Harvard IEEE ISO 690 MHRA (3rd edition) MLA (8th edition) OSCOLA Turabian (9th edition) Vancouver. Constable “walked through the front door and it just felt amazing: so far away from my school and everything else. Lighting’s role is rhythmic and atmospheric, she explains. It was also during this time that she met her partner, Ian, who worked at People Show – an immersive, experimental theatre company who Paule worked with. She recalls: “Stevie would always call me up to get lamps for the show but stopped asking me to relight them. She recalls: “I attended university in 1986 and this marked the end of the miners strike. At this point though, theatre was yet to make a big impact on Paule’s life. With her change of course and the fact that she was seeing more plays than ever before, it seemed that Paule had finally discovered the direction she was lacking; albeit by accident. Some of these include, Les Misérables, Warhorse and The Curious Incident of the Dog in the Nighttime. “What’s important to me is storytelling,” she breezes on. It might come as a surprise that, during her formative years, Paule had no interest in theatre. Your email address will not be published. Paule Constable accepts the the award for Best Lighting Design in a Play for 'The Curious Incident of the Dog in the Night-Time' onstage at the 2015 Tony Awards at Radio City Music Hall on June 7,... Get premium, high resolution news photos at Getty Images PAULE CONSTABLE LIGHTING DESIGN LIMITED - Free company information from Companies House including registered office address, filing history, accounts, annual … Paule comments: “Dave was a huge influence and really showed me the ins and outs of lighting as it were. Unlike most LDs, however, Constable spends a lot of time in rehearsals; three weeks for Behind the Beautiful Forevers, David Hare’s adaptation of Katherine Boo’s non-fiction novel about the slums of Mumbai, which opened at the National last month. It’s essentially Brechtian, in the sense that it’s very exposed and within quite a restricted palette that emphasizes greys and blues. Is it a long, slow moment or are you chopping from one thing to another, throwing the audience’s attention across the stage? That meant “as much as possible, taking an image back to the actual thing. For Paule, this is North Devon; although the West Country was only a temporary abode. I was never afraid to get stuck in and when I worked on a production I always made sure I helped out as much as I could”. Ask anyone interested in theatre to name five lighting designers and you can guarantee that Paule Constable will appear on the list. Tag Archive: Paule Constable. Paule Constable is a British lighting designer.She won the 2005, 2006, 2009, 2013, 2020 Laurence Olivier Award for Best Lighting Design. Dave offered advice to Paule who began lighting her own shows in the third year of university. It would be a move that would influence the rest of her career and personal life. The award-winning lighting designer Paule Constable talks to Mansel Stimpson about her work in the context of the new Covent Garden production of Carmen… When I asked to interview Paule Constable it was in part in order to make good my own ignorance as to how a lighting designer functions. The National Theatre has faced widespread criticism for the lack of women writers and directors in their upcoming season. Paule must have made an impact in her inaugural attempts at followspotting as she was then asked by Midnight Design to work on a rock ‘n’ roll show – something she jumped at the chance to do. Paule continued to relight a lot of other shows, including those of Stevie Whitson; a lighting designer from New York. My older brother was an academic whereas my father was very sporty so this was something I did with him. Paule Constable Lighting Designer. The shadows make her seem wise and a little weathered, where, lit differently, she looks fresh for 47 and genial. “The more people see people like me doing technical jobs, the more it becomes normal – and that’s what we all want isn’t it? Paule Constable Associate Artist, Lighting Designer. I lived in Germany, Belgium and even the Middle East. Leading Light with…Paule Constable. So much so that she changed her course from solely English to English and Drama; a decision she made due to the fact that “you didn’t study plays with just English”. All the other officers’ kids were away at school. “You’re not the only one anymore,” says Constable,” but it’s not changed radically.” Why so, I ask? So the arts didn’t really strike Paule as a career choice at that point. Black Heroes in The Hall of Fame was Paule’s first professional lighting job. How, I wonder, does she cope without such specificity, in showier shows like War Horse or Curious Incident, set in imaginary spaces? Mitchell adores her style. She comments: “My dad was a hunter pilot in the military. Doing so requires absolute precision: another skill that sets Constable apart. She adds: “I went away when I was 8 and remained so for all my education. “Being female actually got you noticed in that sort of world, where it wouldn’t have done elsewhere.”, The gender imbalance is still pronounced. Paule Constable Lighting Designer. When Paule attended Goldsmiths University, this was run by Peter Hoggett and it was a very left-wing, radical institution. Lighting Two major challenges immediately seem to present themselves on the lighting front - the size of the Olivier theatre and the large obstruction caused by the screen. “What we were both interested in was a kind of honesty, a truth,” Constable explains. “For many directors – me included – this seemed like a thrilling new way to light a space. So if a room’s lit by a sidelight, put that light on and see what you need. Suddenly, this was burst open and I was introduced to people I’d never come across before. “When people ask what you do and you say lighting designer, they either expect you to design light bulbs or fittings – or they think you climb a ladder for a living.”. Not only is Paule one of the most successful lighting designers this country has ever produced but is also a pioneer for female artists in the industry. It felt like London. Paule Constable Wins Oliver Awards’ Best Lighting Design 2020 26th October 2020 9:06 am Leave a Comment. Hers is an integrated approach, refusing to tack lighting on as an afterthought. She states: “There wasn’t a particular moment where I thought I am now going to be a lighting designer. She was also a nominee for four further productions and for a 2007 Tony Award on Broadway. Image showing Paule Constable home page. “I clung onto designers I met who were my age, because they had a voice and I was trying to find one.” Smith introduced her to Complicite, initially as a production manager, but when the company did Street of Crocodiles at the National, she begged to light it and, aged 25, received her first Olivier nomination as a result. “Think about a light through a window” she continues. Paule continued to work for Midnight Design on a range of rock ‘n’ roll concerts alongside her studies. HireWL. You make it really thick, beautiful, brilliant, brutal, bright light – like daylight coming into a really dark space.”. “The thing that’s difficult is trying to find a community,” Constable explains. Mitchell calls her “a really remarkable artist.” Grandage says she’s got “a phenomenal gift.” And yet still, she meets with bafflement. That said, we have only an hour before she goes into a second preview; and it’s an hour in which I intend to hear all about her fascinating journey. Paule is a multi-award-winning lighting designer for theatre, dance and opera. It never seemed a big deal to me. PAULE CONSTABLE LIGHTING DESIGN LIMITED - Free Company Check: financial information, company documents, company directors and board members, contact details, registered office, contacts, map, nature of business, cash at bank, fixed assets, current assets, current liabilities, debtors, due diligence, street view. Accessibly. All that’s about telling a story.”. “There’s absolutely a deep-rooted and, I think, unacknowledged sense of what we believe women should do and what we believe men should do – pictorially as much as anything else.” In other words, we can’t imagine women up ladders with spanners. “It’s not until the last minute that you actually get to look at anything. Change style powered by CSL. “How do you draw something to a close and start something else? For me, it was just the place to be.”, Intrigued by the idea of directing, probably for television, Constable “sort of discovered lighting by accident.” She was sharing a flat with a stage manager, who, one summer, took off to Spain with her boyfriend on a whim. 31 likes. Paule is an Associate Director of the National Theatre, an Associate of the Lyric Hammersmith and for Matthew Bourne’s New Adventures. For the opening scenes, Constable wanted to create the idea of a … Paule Constable is a British lighting designer who won the 2005, 2006, 2009, and 2013 Laurence Olivier Award for Best Lighting Design. This didn’t prevent Paule from continuing with her studies and she soon found herself on the way to London where she studied English at Goldsmiths University. Whilst in London, this meant that Paule got to see more theatre and soon her interest grew. “You grow old together and your tastes change together, sometimes in different ways. She’s been a National Theatre associate artist for years, lights almost everything that Michael Grandage, Marianne Elliot and Rufus Norris direct, and has collaborated long-term with Katie Mitchell, Matthew Bourne and Simon McBurney. Rather, she was more interested in climbing trees and the great outdoors. Both designers, Rae Smith and Constable, felt for this “language” to be successfully communicated they had to collaborate closely. She's worked on … Lighting designer Paule Constable is on a roll. Beautifully. Grandage remembers her work on The Chalk Garden at the Donmar Warehouse: “One could walk into the theatre at any given moment and easily guess what time of day it was (probably the month too) by the natural palette she had created.” The same goes for her work on Behind the Beautiful Forevers: on the vast Olivier stage (“the hardest space in the world,” she says), you get a really tangible sense of the subcontinental sun – hazy, heavy and baking – or the still calm of moonlight. Yet it was also one without a very definite sense of direction”. Jumpers (Apr 25, 2004 - Jul 11, 2004) Lighting Design by Paule Constable; PlayFarceRevival. I am doing a background piece on Paule Constable a British Female Lighting Designer - Art bibliographies - in Harvard style . Stevie worked closely with DV8 and was renowned for working in experimental theatre. Paule then made her way over to the Hackney Empire: “To this day I still don’t really know why I said yes or what I was expecting. Then one day she fell in love and moved to Spain (as you do!). It was her flatmate’s persuing of romance that would lead to Paule’s first experience of working in theatre. “It something that neither of us would have done when we first met.”, “That’s the other joy of long-term collaborations,” he says. She has three shows running in the West End and is in pre-production on four more, plus a new small-scale touring production of “Les Miz.”… your own Pins on Pinterest Not only is Paule one of the most successful lighting designers this country has ever produced but is also a pioneer for female artists in the industry. “The level of sexism was quite overt,” and working in the music industry, where she started out, it “was so much worse than anything you ever met in theatre.” Gradually, she drifted towards the experimental end of theatre, working with companies like the People Show, Lumiere and Son, and 7:84 in Scotland. Paule soon graduated and continued to freelance and light shows when and where she could. Constable’s father was a military man, meaning the family followed him wherever he was stationed. “She was a quaker lighting designer,” Grandage goes on. It was a very natural progression and I just enjoyed engaging with new work”. I think they were surprised at how eager I was to do this – a part of my inner tree- climbing child must have reemerged!”. Categories: Leading Light. “I spend a lot of time collecting images. When Paule began her education, she attended boarding school, where a lot of other children were also part of RAF families. As always with Leading Light, we start at the beginning. A window to her left adds texture to her facial features. I was following a very middle class path that was supposed to make everything alright, but risk wasn’t part of my life and I needed it to be.”, That’s why she plumped for Goldsmiths College afterwards, drawn to its English department by the “brilliant left-wing thinkers” on staff. Paule Constable Last updated May 01, 2019. Where others wait to see what needs lighting, before working out how to do so, Constable tends to design in tandem, often writing long-hand descriptions about the effects she might want to achieve. Paule Constable. Ask anyone interested in theatre to name five lighting designers and you can guarantee that Paule Constable will appear on the list. White Light Ltd, 20 Merton Industrial Park, Jubilee Way, Wimbledon, London, SW19 3WL, United Kingdom. She is an associate of the National, the Lyric Hammersmith and Matthew Bourne’s New Adventures. Paule Constable is known for her work on Carmen in 3D (2011), National Theatre Live: The Threepenny Opera (2016) and … It was a frustrating place, she says. It was also great as I lived in East London when it was still the East End. Ask anyone interested in theatre to name five lighting designers and you can guarantee that Paule Constable will appear on the list. True, that’s partly down to the limited pool of lighting designers working at the top end of British theatre –many of whom do around 20 productions a year (and rates mean they need to) – but Constable is undoubtedly among the very best of them. During her university years, Paule saw lots at the ENO, productions by Cheek by Jowl and even the original Angels in America. For some (perhaps – dareIsay – trapped in the past) it was too ‘real’ and at times too dark.”, The approach came from Constable’s work with Mitchell, early on in both their careers. We just want it normal.”, At 7:84, assisting Ben Ormerod, she met the designer Rae Smith, who remains a close collaborator a quarter century later. This was Goldsmiths’ heyday, when it was churning out Young British Artists by the bucketload: Damien Hirst, Sarah Lucas, Sam Taylor-Wood amongst (many) others. Filling that space successfully in order to tell a story is We worked on everything from Acid House clubs to live gigs. Share Paule Constable on Twitter; Lighting Designer. With work spanning a broad catalogue of opera and theatre productions, her stripped back approach to lighting design has earned global recognition. Original London Lighting Design: Paule Constable; PlayDramaRevival. War Horse was hers, ditto Curious Incident… and His Dark Materials, and she’s won as many Olivier awards as Tom Stoppard and Alan Bennett combined. Our Copywriter Adam sits down with Tony and Olivier Award winner Paule Constable. Thankfully, she’s back in London working on a production of Seventeen at the Lyric Hammersmith which allows us to finally sit down and chat. The Astoria Theatre where Paule met Dave Byrant. I picked Maths, Physics, History of Art and English – therefore it was an extremely random choice! There’s nothing like interviewing a lighting designer to sharpen your awareness of light. Learn about life, then learn to light it. Furthermore, lighting can directly impact upon the action. Winner of four Olivier awards and two Tonys, Paule Constable is a lighting designer who needs no introduction. by Ellen Lampert-Greaux | Jun 7, 2018 6:00am. I was very active and preferred to be on my feet”. She recalls: “My passion just seemed to slowly grow with the more I saw. “You don’t just settle for one light. The latest instalment in our series showcasing Britain's best lighting designers focuses on the four-time Olivier and two-time Tony Award winner Paule Constable. Paule is someone I want to grow old with. Her preferred style is quite particular. There was a lot of political activity at that time. We’ve been meaning to meet for a while yet her extremely busy schedule has meant that this hasn’t come into fruition. The original Angels in America at the National Theatre (which Paule is currently lighting at the National). “Paule’s someone who really understands the stage space as a three-dimensional object,” says Mitchell. Thankfully, the other followspotter, Fiona Simpson, was extremely approachable and talked me through the various steps”. Paule has is an associative of the National Theatre, the Lyric Hammersmith and Matthew Bourne's New Adventures. She makes me laugh and she’s fun to be around, but when it comes to the seriousness of art an believing in the importance of what we do, she’s a great partner to have at your side.”, Now that is how you talk about a lighting designer…, Your email address will not be published. I love real things; real tangible objects which you heighten and transform.”. However, it wasn’t as disastrous as it could have been. Paule also worked on the Festival of Circus on the Southbank and continued to work alongside Midnight Design. Although this might sound incredibly rude, it was actually really inspiring as it made me think that I could actually work in this industry on my own designs, as opposed to imitating the work of others”. Paule is a multi-award winning lighting designer for theatre, dance and opera. See more ideas about national theatre, theatre, scenic design. Listen: Paule Constable On The Role Of A Lighting Designer — News — Royal Opera House . So much so that only four women have ever been nominated for the field’s Olivier award. ), She was, she says, one of the only women. Paule is an associate of the National Theatre and Matthew Bourne’s New Adventures. Despite academic aptitude, she grew bored there, and her attention turned (as teenage attentions tend to turn) to “boys and drugs.”, “I completely fell off the rails, but if I hadn’t, I wouldn’t be doing this. It’s why she spends so much time in the rehearsal room (“being in the middle meant better informed decisions”) and it’s why she sees lighting as a form of storytelling in its own right – no less than any other discipline, be it writing, directing or acting. The Weir (Apr 01, 1999 - Nov 28, 1999) “You’re the engine room, aren’t you?”, To illustrate the point, she talks me through another thought process. Required fields are marked *. She’s likens the rhythm to an airport holding pattern: a lot of circling, then swooping in quickly to get the job done. Paule recalls: “Stevie was this larger than life figure who was just so passionate about theatre. Lighting her own shows in the foyer of the National theatre, an associate of the )... 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